March 30, 2006
The bowl

March 29, 2006
Disparate subjects

March 27, 2006
A needy, ragged woman

March 22, 2006
God, body, Tony Hoagland, carnival, dissociation and postmodern poetry

March 20, 2006
Emailing Ellie

March 13, 2006
Body Worlds

March 12, 2006
Anna, and Marty's ball

March 11, 2006
the lost innocence of my youth and the beautiful life I've created

March 10, 2006
Another scary bout of journaling to find the truth

March 9, 2006
Excerpts from an email correspondence with Ellie Epp

March 7, 2006
iron and wine

March 5, 2006
finding chakras

March 3, 2006
Muses

March 1, 2006
Mansfield, PA - Nurturing and feeling

 

 

 

March 12, 2006
Anna, and Marty's ball

I talked to Dave's girlfriend Anna last night. She's from Portugal. She's done yoga all over the world, and she also has cool perspectives on embodiment, thanks to her perspectives as a foreigner in the US.

We're all at poetry, and Marty does this thing he does when he's really excited. He punched her in the shoulder and then hugged her and laughed. It doesn't hurt or anything. He's just being enthusiastic, but sometimes people don't know how to take Marty. But Anna loved it! She said when she first came to the US, she noticed that people maintain huge distances between each other. Nobody touches anyone else. She said in Portugal, if two people were sitting as far apart as we do, you'd know as soon as you walked into a room that they were estranged.

But Anna said everyone in our culture maintains that distance. She seems really intuitive and physically plugged into whoever she's talking to, and she said for months when she was first here, she felt like she was constantly being rejected. As if everyone was snubbing her. She said in Portugal, people aren't just just affectionately physical, but also playfully physical, the way Marty is. And she said she LOVED it that he felt free enough to touch her the way he did.

Speaking of Marty, he used to teach all over the place he even taught a class about rock and roll at Johns Hopkins in the sixties. Last summer we decided he'd teach me about contemporary American poetry. He thought we should start with Whitman, and I really tried to like Whitman, but he seemed too whiney and self-absorbed to me, so we never got to Elliot and Sexton.

Anyway, now Marty has me bouncing a Super Ball. He thinks it will help me connect my mind to my body. He also wants me to become aware of how I walk. He said if boxers never worked to become conscious of how they punch, they'd flail at opponents like bears - naturally, but inefficiently. Boxers have to learn to punch from the body. Even though it feels weird at first, it's more efficient. Marty says if I become conscious of my walking - of subtle shifts and adjustments - I'll learn to move more efficiently, and also link my body and my mind. So I've been bouncing the ball everywhere, but it sucks when the ball rolls into the street.

Ellie: This is a suggestion about language. If mind is actually a function of body, then it is a part of body, and the two can neither be disconnected nor reconnected. So this manner of speaking is irrational if not pathological. And yet there is a reason we talk that way. There is something actual we are talking about. What is it? If we speak more carefully the problem becomes more interesting as well as more solvable. Does he mean it will make you aware of body feeling, proprioceptively aware? And if so, why doesn't he say it that way?