Early relational trauma and my gradual awakening to my body

Conspicious Body

Anna Hawkins' Individualized Master's Thesis

Visual culture and an aesthetics of embodiment

What I Learned From Sex and the City

Better than Real

Uses of the erotic

Nature and Madness

Trauma, Dissociation, And Disorganized Attachment

Learning to be Embodied

 

Better than Real by Mark White. The Ecologist v. 35 no6 (July/August 2005) p. 56-62

Mark White talks about how our growing embrace of the fake aggravates our estrangement from nature and ultimately from ourselves.

Our society is comfortable with the artificial: it's much less troublesome than the real, and a lot more obedient. But the dislocation from nature poses growing problems, not the least the fact that our physical survival is hanging in the balance. By living in this hyper-artificial reality we're ignoring
deeper problems or dismissing them out of hand. Rates of mental illness continue to rise as our societies grow richer, and this epidemic is dismissed as an interior problem: he couldn't cope; she's not up to it; they're sick. The solution? Swallow a pill, and get back into your box.

We're dislocated. Cut off. Unsure of what is real, and what was manufactured.

Slovene philosopher Slavoj Zizek has touched on the phenomenon of self-harmers, mostly women, who cut themselves. The act is usually dismissed as suicidal or a desire for self-obliteration, but Zizek argues differently: 'This is strictly parallel to the virtualisation of our environment: it represents a desperate strategy to return to the Real of the body... Cutting is a radical attempt to (re)gain a hold on reality, or... to ground the ego firmly in bodily reality, against the unbearable anxiety of perceiving oneself as non-existent.'

I agree. Self-abuse is at least partly about digging into the reality, the meat of who we are. It'a about affirming that we feel, and that we exist. Pain as affirmation.

Ecopsychologist Chellis Glendinning explains that the Neolithic era was the first time man walled himself off from nature. What was inside the fence was good and could be consumed, but what was outside the fence was a threat and must be destroyed. The threats from outside the fence are growing. There's climate change, new technologies, AIDS, Islamist terrorism and unrest caused by globalisation. Zizek argues that 'it is the awareness that we live in an insulated artificial universe which generates the notion that some ominous agent is threatening us all the time with total destruction', but you can turn his argument on its head. The bigger the threat, the greater the need for control. We are trying to extend that fence outwards, because what we control can't hurt us.

Control again! "...what we control can't hurt us." But what about chaos? What about the wild, the UN-controlled. Passion, hunger, sexuality... and chance?

...people born before 1930 described a natural smell as evoking their childhood, but people born in the following 50 years were more likely to describe something artificial, like Play- Doh or jet fuel.

And the scents and sounds of nature? What about them? What about the scents and sounds of our bodies. What about real, authentic, lush, healthy bodies, and minds? What about real, authentic, lush, healthyminds? We are so screwed up.

Psychologically, Glendinning sees deep trauma in our societies. 'I look around and everyone is being traumatised, whether it's by war or leaving their homeland or living in a mechanical-technological society and all the trauma that goes along with that,' she says. The rise of fake culture is, for her, the next step of the dissociation caused by such trauma. 'It's mentally ill. That people would fall for it or go for it is a testimony to the level of dissociation.'

Cultural dissociation. We're cutting ourselves off from nature. Cutting ourselves off from our bodies. Cutting ourselves off from our families, and allowing children to be raised by strangers in daycare, and create housing-development ghost towns from Monday through Friday while the occupants are away. Cutting ourselves off from our culture. Who has time to learn, or to create art, or music, or to simply think?